John Norman's Chronicles of Gor - Welcome

Welcome

Coming Soon....

Treasure of Gor

In the open, windswept American southwest, in a remote, lonely area, there exists a small, privately managed, privately financed observatory. On the surface, there is no reason to regard this institution as different from others of its kind. It is, however, in at least one respect, quite different, for it serves as a liaison point between the orbiting steel worlds of the Kurii, a technologically advanced, ambitious, ruthless, predatory life form, and the planet Gor, which the Kurii covet, after having destroyed their own world by generations of neglect, greed, and war. The staff of the observatory, for the most part going about their normal duties, assumes that the nature and activities of the observatory are not other than those familiar to similar institutions. On the staff, amongst others, is a brilliant, troubled, sensitive, lovely young woman specializing in radar imaging, Agnes Morrison Atherton. Among the characteristics of her active mind, is a difficult-to-resist, tenacious, dangerous curiosity. She discovers a file largely unintelligible to her, one which contains mysterious, coded coordinates. Laboring on her own time and over several nights, she manages to decipher the coordinates which, investigated, reveal two large, spherical objects, apparently artificial, emerged from the asteroid belt. In the interests of science, of collegiality and transparency, Atherton is excited and eager to share her views and speculations with the senior staff of the observatory. It seems that whatever might be the nature and purpose of these mysterious bodies, Atherton's contributions are less than welcome. She is drugged and awakens to find herself stripped and for sale on the planet Gor. Marked and collared, she begins her life as a Gorean slave girl.

Treasure of Gor - available from March 26th 2024

Welcome to John Norman's
Chronicles of Gor

It is my honour to welcome you to this, the new home for John Norman on the internet.

Back in 2001, New World Publishers was formed with the aim of bringing the Gor series back into print. To accompany that, a website was created, World of Gor. That site was set up with the support and input of John Norman himself, and was in many ways his home on the internet. As a result of the efforts of New World Publishers, Witness of Gor was published, the first new Gor book in well over a decade, but despite that achievement, sadly, that publishing effort failed, and the website set up to accompany it was largely abandoned, and left unfinished.

That was not the end of the story though. E-Reads, who had already released some of the series in ebook form, decided to publish the full series in both ebook and printed form. With things once more moving, John Norman needed a new home. As I was already involved with E-Reads, having assisted in the editorial processes for the new E-Reads editions of the books, I was approached with a view to putting together a site, and thus the seeds were sown. It's been a long road since then, and it's not been all plain sailing, but at last, here we are. The seeds have germinated, and from them has grown the site you now see. This is only the start though. With your help and support this site will continue to grow, with new features, and new articles.

This is the new home of John Norman, and I'm delighted to say that every once in a while you will be able to read a message from him. It's also the new home for the Chronicles of Gor, and you'll be able to find the very latest news and information right here.

Now, over the years there has been considerable controversy surrounding the Gor series. Much of this controversy is because of a number of misconceptions about the Gor books, and about John Norman and what he himself believes. We've addressed a number of these misconceptions later on this page, below the personal message from John Norman.

In a moment I'll hand over to the man himself, but first, on behalf of the whole team, to whom I owe an enormous debt of gratitude, I bid you welcome. Please look around, and explore what we have to offer.

I wish you well,

Simon of Tabor

A personal message from John Norman

How astonishing is the world-wide Gorean phenomenon!

How unexpected, certainly to me, that anything so different, and so remarkable, could occur.

It was not suspected, it was not sought, it was not envisioned.

I sometimes think of myself as some fellow wandering about, say, a thousand years ago, in some wilderness, who might by accident have discovered magnetism, or some new force of nature, one he did not understand, but one whose reality, once glimpsed, was as undeniable as that of iron ore, or rain, or wind, or lightning. He brings his discovery to the halls of indoctrination, mistakenly, and learns to his surprise that reality may not exist without permission and approval. It is permitted to exist only selectively, and then must be authorized, even licensed. The unlicensed reality is to be denied, or, at least, discreetly concealed.

Exploration, accordingly, is perilous.

And discovery seems to be worse.

One can live a three-quarters existence, of course. Most people do, or less. Certainly the nest is cozy; why leave home; the horizon is faraway; maybe it's cold out there; it is different, at least; but one grows weary of worms; and one suspects wings have a purpose.

Is reality so terrible? That does not seem clear. We have been living with it for fifty thousand years, and sometimes we have even acknowledged that fact.

In any event, iron ore, and rain, and wind, and lightning are not voted on; they are not forwarded out of committees; they are part of the fabric of things, and intrude, however inexcusably; they seek no permissions, no approvals.

There is such a thing as human nature, the human heart, the human mind, the human body.

At any rate we did not invent the biotruths of human nature, no more than we invented vision, speech, the circulation of blood, the beating of the heart.

We did not invent men and women.

They are what they are, and what they are not is hollow vessels to be filled with whatever sugars and syrups their betters, the anointed cooks of humanity, the intolerant coveters of power and would-be imposers of values, see fit to pour into receptive, neutral containers, containers empty in themselves. How fortunate are the containers to be labeled from the outside by strangers who do not know them, or themselves, and to be filled with whatever contents these outsiders might deem in their own best interests! Too, the human being is not a social artifact, but a living thing, a remarkable animal; he is not a manufactured product, not a paper knife or can opener, not a party hat or rubber stamp, designed for purposes other than his own, though surely the original animal can be twisted and tortured into a variety of unusual forms. Is there any fact more visible on the assembly lines of society? The fact that a tree can be denied minerals and water, that its roots can be poisoned, its branches and bark torn away, and its leaves removed, delicately, one by one, alters nothing. The fact that the tree is not allowed to flourish, to fulfill its genetic destiny, does not prove that it cannot flourish, nor that it lacks a genetic destiny. Indeed the subversion of such truths presupposes their existence. The modern human is too often a bonsai human, cropped, stunted, and potted. The fact that a living thing can be twisted, torn, and pruned into a diversity of madnesses, depending on the ideology of power-seeking establishments, political, religious, and otherwise, alters nothing.

The dictators of values are short on credentials; their self-certifications are pompous and vacuous; the papacies of their self-canonization are suspect. Sometimes I think they suffer from brain damage; perhaps their halos are too heavy.

With all due respect one might offer the test of life consequences. Is it not worth considering?

If an ideology produces unhappiness, misery, grief, division, sickness, boredom, and hatred, surely this is not a commendation but an indictment.

Let men and women be themselves.

Do they not deserve the opportunity to inquire into their own natures, as they are, not as they are told they should be?

In any event, the Gorean civilization suggests that civilizations need not be prisons, suppressing, injuring, and minimizing their victims, but might be enhancements of nature, indeed, a part of nature, in her development, not her antithesis, not her adversary.

And so, what would be the great harm if, here and there, there might be occasional enclaves of rationality, and honesty, a few scattered pockets of health and sanity?

That does not seem so terrible.

So let the Gorean experiment continue.

And so I herewith welcome, and most heartily, a new, remarkable venue, a new harbor in Gorean waters, a new fortress in her mountains, a new, defiant city to be recorded on her maps, the Chronicles of Gor.

I wish it well.

John Norman

© 2007 John Norman. All rights reserved.

Misconceptions of Gor

By Lemuel of the Builders

As most of you know, there is some controversy over John Norman's Chronicles of Gor series, but is it deserved? The most common accusation we hear is that John Norman is a misogynist who advocates the subjugation, physical abuse, enslavement, and rape of women. Another common complaint is that John Norman's books are poorly written trash with no literary merit whatsoever. As the title of this essay suggests, I believe these unfavorable characterizations are due to misconceptions about John Norman, his purpose in writing the Gorean saga, and the books themselves.

Let's look at the word misogynist. The most common definition of the word is, "One who hates women."¹

Could a man that truly despises women write loving and poetic passages like these?

"Human females are such rich and wonderful creatures. Their sexual life, and feelings, are subtle, complex and deep. How naive is the man who believes that having sex with a woman is so little or brief a thing as to fall within the parameters of a horizontal plane, the simple stimulations of a skin, the results attendant upon a simplistic manual dexterity. How woefully ignorant are the engineers of sexuality. How much to learn have even her artists and poets! Women are so inordinately precious. They are so sensitive, so beautiful, so intelligent and needful. No man has yet counted the dimensions of a woman's love. Who can measure the horizons of her heart? Few things, I suspect, are more real than those which seem most intangible."²

"How subtle and deep was the intelligence of women, I thought. How much they know. How much they can sense. How simple and crude, how naive, sometimes seems the intelligence of men compared to the intelligence of women. What deep and wonderful creatures they are. Who can truly understand the emotional depths and needs, eons old, of these flowers of nature and evolution? How natural, then, it is, that the truly loving man will concern himself not with her distortions and perversions, ultimately barren, but with her emotional and sensuous truths, ancient and deep within her, with what might be called her biological and natural fulfillment."³

It seems to me that those who accuse John Norman of misogyny have either never read the Gor books or have given them only the most cursory examination.

What about the claims that John Norman advocates the subjugation, physical abuse, enslavement, and rape of women? Perhaps the following quote will help dispel those misconceptions.

"The fact, of course, that rape is a common sexual fantasy of women does not indicate that women, in any general sense, wish to be raped. They would surely, at the very least, wish to choose the time and the place, and the circumstances and the man. Rape, as a sociological reality, is commonly an ugly, brutal, unpleasant, sickening, horrifying, vicious act. It degrades the man and it doesn't do the woman much good either. Not only does she receive little or no pleasure, but the whole affair has no more intrinsic worth or dignity than a mugging. Further, sadly, she is likely to be brutalized and, at the least, intimidated. This is to take advantage of a weaker creature, who cannot adequately, in most cases, defend herself. The rapist, unless there are some extenuating factors, such as severe mental illness, scarcely comes up to scratch for a human being. To pick on a woman, because she is smaller and weaker, is much the same thing as to pick on a child or animal; or, it is much the same thing as a young man striking an old man; or a large, strong man beating a small, weak man; it is just something that it is not worthy to do. It is not that it need be a "sick" thing to do, though doubtless in some cases it is; it is rather that there is just no manhood in it."⁴

Norman appears to have a pretty low opinion of anyone that would actually, subjugate, abuse, or rape a woman.

So what was Norman's purpose in writing the Gorean saga? I imagine one purpose was to earn a little extra money in order to better support his family or perhaps to see if he could write a heroic fantasy in the tradition of Edgar Rice Burroughs, but the main purpose seems to have been providing a satirical counterpoint to the more extreme rhetoric of radical feminists.

Those of you who grew up in the 60's, 70's & 80's will no doubt be familiar with the following extraordinary statements:

"Since marriage constitutes slavery for women, it is clear that the Women's Movement must concentrate on attacking this institution. Freedom for women cannot be won without the abolition of marriage."⁵

"Rape is the primary heterosexual model for sexual relating. Rape is the primary emblem of romantic love. Rape is the means by which a woman is initiated into her womanhood as it is defined by men."⁶

"We name orgasm as the epistemological mark of the sexual, and we therefore criticise it too as oppressive to women."⁷

It was comments like these that Norman sought to lampoon. The radical feminists equated romantic love and marriage with slavery, so the only romantic relationships Norman explores in detail in the books are, of course, with slaves. The most extreme feminists categorize all sex as rape, so Norman repeatedly has eager and willing slaves beg their masters for "slave rape". Lastly, female orgasm is claimed to be "oppressive to women", so the "oppressed" slave is described as having the most immediate and powerful sexual and orgasmic responses. Clearly Norman is using slavery as a metaphor in order to explore the absurdity of radical feminist dogma.

Norman is hardly the only author to use a distasteful metaphor to explore more deeply into the human psyche. Nancy Springer invariably castrates at least one male character in nearly every book she writes, but are there hordes of people claiming that Ms. Springer is "advocating" the castration of men? Of course not, most people understand that she uses castration to explore the nature of manhood. Was there a huge outcry against Sheri S. Tepper for "advocating" eugenics in her book, The Gate to Women's Country? Or for portraying men as naturally disposed towards violence and war? No - it's obvious to people that Tepper is exploring the ethical and emotional consequences of selective breeding and secrecy. It's a shame that Mr. Norman isn't accorded the same understanding.

Most of you know that John Norman has a PhD. in philosophy, but what is less well known is that he also has a graduate degree in classical history. Norman puts all of his education to work in his novels. He borrows from classical history not only to build the various cultures found on Gor, but also in various allusions to classical mythology. A few more obvious examples are Norman's reference to Beowulf⁸, the Ring of Gyges⁹, and to the Gordian Knot¹⁰ & Alexander¹¹ (both directly and obliquely).

And, of course, Norman also uses his degree in philosophy to good effect - regularly exploring such concepts as honor, courage, duty, being true to oneself, and love - especially true love - which Mr. Norman recommends highly.